Projects

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

 

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (17) Guide intervention VI

2010 - in process


(Manual DOCUMENTA photos)


Deconstruction of a guide, catalogue of documents


2010 - in process


-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile


APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

CARBÓN DULCE by Rosell Meseguer 2016

A project about the black coal, smoke and intense dark of the precious ore

Anthracite, lignite, coal and peat; all coals

Coal, coal and more coal, absolute black, plated, ochre black and shadows; hard as a rock and soft as the land where it was born. Coal for heating, charcoal-burning, coal for cooking, coal to market, coal or carbón..

Sweet coal, for children, black coal for miners. Gold, incense and myrrh.

Myrrh; 2016

Showcase, different types of coals, myrrh, incense and carbón dulce sweet coal; 2016

Artist's book Carbón Dulce (Sweet Coal )- several papers, stickers and black pictures, ochre and gray - and black gloves; 2016; Collection Foundation ANKARIA

Table (Museo Geominero, Madrid), artist's book Carbón Dulce (Sweet Coal )- several papers, stickers and black pictures, ochre and gray - and black gloves; 2016

Showcase, different types of coals, myrrh, incense and carbón dulce sweet coal; 2016

2010 - in process

(Manual DOCUMENTA photos)

Deconstruction of a guide, catalogue of documents

-Palimpsest: "once again recorded" or "engraved again"

-When time is called into question; the construction of itself

Facsimile

APOCRIFIA (Borges) / authorship

DERRIDA: When you supplement, a shadow of doubt is projected on the origin: origin and supplement

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

 

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

dOCUMENTA (13) Das Begleitbuch/The guidebook

Guidebook painted & collaged

Painting and collage on paper

2012-2016

Project on process since 2009

The Invisible 2010-2018

The latest discovery in the field of invisibility is a tiny 3D layer able to conceal small volumes or objects due to the dispersion of the light rays, an invention that Science magazine reported in 2010. The layer is composed of polymers and its surface contains lenses that projected light waves partially inclined to disperse them and hide the object to the human eye.

Maria Grazia Muscatello

There is no possibility of understanding the invisible outside the visible. If today, the power of the image seems to be exhausted only when seeing, in its immediate επιφάνεια (manifestation) - to the point that all that can be seen assumed the ontological status of reality - Plato was clear that the visible is a small part of the thing itself and that the essence of the image is not resolved at the simple observable phenomenon at a specific time.

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Precision Cosmology

Plumb series

Photo color on cotton paper

30 x 40 cm

2015

Map of directions.

Polyptych

Photogravure on copper plate stamped on white cotton paper; black ink and glitter

55 x 77 cm c/u

Centro Párraga Murcia

2017

Map of directions.

Polyptych

Photogravure on copper plate stamped on white cotton paper; black ink and glitter

55 x 77 cm c/u

Centro Párraga Murcia

2017

Map of directions.

Polyptych

Photogravure on copper plate stamped on white cotton paper; black ink and glitter

55 x 77 cm c/u

Centro Párraga Murcia

2017

The problem of the horizon 01

30 mirrors tinted in grey

60 x 80 cm c/u

Installation. Centro Párraga, Murcia.

2017

The problem of the horizon 01

30 mirrors tinted in grey

60 x 80 cm c/u

Installation. Centro Párraga, Murcia.

2017

The problem of the horizon 01

30 mirrors tinted in grey

60 x 80 cm c/u

Installation. Centro Párraga, Murcia.

2017

Transparent Slide

Radiotelescope Arecibo, Puerto Rico

2013

Black slide

Radiotelescope Arecibo, Puerto Rico

2013

Dark matter

Rosell Meseguer. Photo color on cotton paper.

120 X 140 cm

2015

The problem of the horizon 01

30 mirrors tinted in grey

60 x 80 cm c/u

Installation. Centro Párraga, Murcia.

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file.

Several documents, objects, books, photographs, drawings and other supports

Site-specific installation

Centro Párraga Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file.

Several documents, objects, books, photographs, drawings and other supports

Site-specific installation

Centro Párraga Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

The Invisible file

Several documents, objects, books, photographs, drawings and other supports.

Site-specific installation

Centro Párraga, Murcia

2017

Begoña Torres González

Rosell Meseguer. A history on dematerialization


Rosell Meseguer surprises us with this new exhibition, displayed in the space of La Fragua-Tabacalera, with a theme -the invisibility-, a concept related to others ideas that have inspired her last projects, such as UFO ARCHIVE (2007-2015). This implies a certain awareness of work that is likely to be organically presented, as a whole, in which her work tries to link together the erratic and the idée (fixe idea), the acceptance of contingencies and a rigour in the method.

Its main goal is the understanding of the role of visual representation in contemporary culture, as well as the development of our knowledge about the world in which we live: how are they able to impact in our imagination, how our personal memory is organized, how they are used for historical facts representation -our past, our future and our most intimate life. In fact how, they are part of our common life.

The assembly strength belongs to the nature of the documents, but also in the setting of a discursive accompaniment, and mainly in the pieces and installations displayed through space: reliefs or free-standing sculptures, objects, mirrors, picture frames, which are arranged in a room as minimalist, fragile, delicate in dialogue with the historical avant-gardes. Through them, Rosell underscores the fragility, variability and multiplicity of all artistic creation and its message, which is always held on weak changing and continuous balance structures.

Download Pdf

 

 

Alejandro Alonso Díaz

The Furthest Visible Point


A dead star is ten million times brighter than the Sun: The star, documented by the nuclear telescopic of NASA, is located at the centre of the Messier 82 galaxy, which is about 12 million light-years away from the Milky Way1 (1).

In confronting the universe’s paradoxes and its various spatial and temporal realities, our notions of perception, matter and reality expand towards an endless range of different directions. Some of the stars we can clearly see at night are actually shining with the light of the past, a nonexistent energy that to our eyes is yet real, visible. The phenomenological gap between their internal realities and our own reality shows the ways in which the nonexistent becomes visible while the invisible remains there, patent, real.

Taking the paradox between perception and reality as point of departure, Rosell Meseguer explores how invisibility coexists with the reality of the tangential. For the artist, ''what is not, it is not and what it is, it is'' is not a valid position. Sometimes propositions are interchanged, altered, mirrored, and our only possible perception leaves us in a tight scenario. The invisible surrounds us, attracts us and calls us in a silence to which we often respond through speculation.


 (1) CNN México: http://mexico.cnn.com/tecnologia/2014/10/12/una-estrella-muerta-es-10-millones-de-l

 Download Pdf

 

Justo Pastor Mellado

Santiago de Chile, septiembre 2015.

The Production Of Cover-Up


In an earlier art project, UFO Archive (2007-2015), Rosell Meseguer delves into the thought processes that are part of the world of espionage -a built collection, photographs, newspaper clippings, materials and printed documents. All this gave birth to a magnificent catalogue in whose interior, the publication which gives account of the exhibition, contains a red caps booklet, of a smaller size, embedded into the publication. It is an issue inside the book, which would pass as an unidentified publishing object.

However, it is an infiltrated one which reveals its importance as the carrier of a few key messages, for whose concealment, it is convenient to display such as they are -in this saturation they would hide better what it is brought by them. It is Poe´s letter strategy, on one stolen letter, so the letter would not be visible. However, it is only one aspect of the problem, because the visibility of the real object will be always delocalized through the arrangement of a few elements of dubious authenticity.

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Mc City-Real Estates/Levels 2010-2014

The project was commissioned for LUGARES DE TRANSITO 2010-2011/Created by Gean Moreno, Eneas Bernal & Marta Soul

MC City is the unexpected and speculative construction of the city, in this case, Miami opposed but also in association with the construction of the European city, giving visibility to the excess against the invisible -speculation, desire and capitalist market mode-. The project is based on the creation of local files from the Miami newspaper: The Miami Herald in dialogue with Spanish newspapers. The project was born from the invitation to carry out the Real Estates/Levels project with Haitian, Miami based artist Adler Guerrier, and curated by Gean Moreno, Eneas Bernal and Marta Soul for Lugares de Tránsito with the support of ACE and CCE in Miami.

+ INFO

13 Ways to look at a landscape

Intervention on a text by Gean Moreno & Ernesto Oroza

Journal paper, colour photography and glue

60 x 45 cm

2014

Press archive –black-

Collage: press paper, blueprint, silver gelatin on transparent paper

and black pigment on watercolour paper

113 x 308 cm

2013-2014

Triptych+1 Mercedes Benz

Colour photography on cotton paper

20 x 30 cm

2010-2014

Triptych+1 Mercedes Benz

Colour photography on cotton paper

20 x 30 cm

2010-2014

Triptych+1 Mercedes Benz

Colour photography on cotton paper

20 x 30 cm

2010-2014

Triptych+1 Mercedes Benz

Colour photography on cotton paper

20 x 30 cm

2010-2014

Press archive –floor-

Collage: press paper, graphite, acrylic

& polyvinyl acetate on watercolour paper

113 x 308 cm

2013-2014

Press archive –floor- & Pulling-up series (I, II, III y IV)

Collage and plaster from wall

77 x  54 cm each one

2008

Procedural installation Mc City and European book

(Manuel Navacerrada Collection)

2014

Detalle instalación

Mapa de Miami
120 x 80 cm aprox

 

Procedural installation Mc City

Several documents: map, papers, photographs, press...

2014

Press archive –headlines-

Collage: transparent paper, vegetal & polyvinyl acetate

on water paper

292 x 112 cm

2013-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

Polyptych

10 pieces of 20 x 30 cm each one/p>

2010-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

2010-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

2010-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

2010-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

2010-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

2010-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

2010-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

2010-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

2010-2014

Polyptych Mercedes B. I

Photograph print on cotton paper

2010-2014

Lugares de Tránsito exhibition. Real Estates/Levels project

(in collaboration with Adler Guerrier & Gean Moreno)

Tabacalera Madrid

2012

Opa Locka- Real Estates/Levels.

(in collaboration with Adler Guerrier)

Colour photography on cotton paper

122 x 148 cm

2010-2014

Hialeah I- Real Estates/Levels.

(in collaboration with Adler Guerrier)

Colour photography on cotton paper

122 x 148 cm

2010-2014

Hialeah II- Real Estates/Levels.

(in collaboration with Adler Guerrier)

Colour photography on cotton paper

122 x 148 cm

2010-2014

Real Estates/Levels. Poster and video documentation

(in collaboration with Adler Guerrier & Gean Moreno)

Tabacalera Madrid

2012

Real Estates/Levels. Poster and video documentation

(in collaboration with Adler Guerrier & Gean Moreno)

Tabacalera Madrid

2012

Real Estates/Levels. Poster and video documentation

(in collaboration with Adler Guerrier & Gean Moreno)

Tabacalera Madrid

2012